 AboutIndoor
Outdoor
Immaterial
|
Main.HomePage HistoryHide minor edits - Show changes to markup May 18, 2010, at 01:38 PM EST
by -
Changed lines 4-5 from:
(:cell valign=middle align=left colspan=4 :) to:
(:cell valign=middle align=left colspan=4 :) May 18, 2010, at 01:37 PM EST
by -
Changed lines 4-5 from:
(:cell valign=middle align=left colspan=4 :) to:
(:cell valign=middle align=left colspan=4 :) May 18, 2010, at 12:53 PM EST
by -
Changed lines 16-17 from:
(:cell valign=middle align=left :) to:
(:cell valign=middle align=left :) Changed lines 20-21 from:
(:cell valign=middle align=left :) to:
(:cell valign=middle align=left :) May 18, 2010, at 12:52 PM EST
by -
Changed lines 16-17 from:
(:cell valign=middle align=left :) to:
(:cell valign=middle align=left :) May 18, 2010, at 12:51 PM EST
by -
Changed lines 8-9 from:
(:cell valign=middle align=left :) to:
(:cell valign=middle align=left :) May 18, 2010, at 12:49 PM EST
by -
Changed lines 8-9 from:
(:cell valign=middle align=left :) to:
(:cell valign=middle align=left :) Changed lines 12-13 from:
(:cell valign=middle align=left :) to:
(:cell valign=middle align=left :) May 18, 2010, at 12:46 PM EST
by -
Changed line 6 from:
(:cellnr valign=middle align=center :) to:
(:cellnr valign=middle align=center :) Changed line 10 from:
(:cell valign=middle align=center :) to:
(:cell valign=middle align=center :) May 18, 2010, at 12:12 PM EST
by - May 18, 2010, at 11:54 AM EST
by -
Changed lines 8-9 from:
(:cell valign=middle align=left colspan=4 :) to:
(:cell valign=middle align=left :) May 18, 2010, at 11:54 AM EST
by -
Changed line 10 from:
(:cellnr valign=middle align=center :) to:
(:cell valign=middle align=center :) Changed lines 12-13 from:
(:cell valign=middle align=left colspan=4 :) to:
(:cell valign=middle align=left :) May 18, 2010, at 11:51 AM EST
by - May 18, 2010, at 11:51 AM EST
by - May 18, 2010, at 11:49 AM EST
by - May 18, 2010, at 11:45 AM EST
by - May 18, 2010, at 11:44 AM EST
by -
Changed lines 16-17 from:
(:cell valign=middle align=left colspan=4 :) to:
(:cell valign=middle align=left :) Changed lines 20-21 from:
(:cell valign=middle align=left colspan=4 :) to:
(:cell valign=middle align=left :) May 18, 2010, at 11:42 AM EST
by - May 18, 2010, at 11:41 AM EST
by -
Deleted line 17:
May 18, 2010, at 11:40 AM EST
by -
Changed line 19 from:
(:cellnr valign=middle align=center :) to:
(:cell valign=middle align=center :) May 18, 2010, at 11:25 AM EST
by -
Changed line 14 from:
(:cellnr valign=middle align=center :) to:
(:cellnr valign=middle align=center :) May 18, 2010, at 11:22 AM EST
by -
Changed line 6 from:
(:cellnr valign=middle align=center :) to:
(:cellnr valign=middle align=center :) May 18, 2010, at 11:14 AM EST
by - egpl
Added lines 10-13:
(:cellnr valign=middle align=center :) February 24, 2010, at 09:10 AM EST
by -
Changed line 2 from:
(:cellnr valign=middle align=center :) to:
(:cellnr valign=middle align=center :) February 24, 2010, at 09:09 AM EST
by -
Changed line 2 from:
(:cellnr valign=middle align=center :) to:
(:cellnr valign=middle align=center :) February 24, 2010, at 09:01 AM EST
by - geodepo
Added lines 3-6:
(:cell valign=middle align=center :)GeoDepollution
(:cell valign=middle align=left colspan=4 :) (:cellnr valign=middle align=center :) March 18, 2009, at 03:21 PM EST
by - exhib dates
Changed lines 4-5 from:
(:cell valign=middle align=left colspan=4 :) to:
(:cell valign=middle align=left colspan=4 :) March 18, 2009, at 09:42 AM EST
by - CoS logo
Changed line 2 from:
(:cellnr valign=middle align=center :) to:
(:cellnr valign=middle align=center :) March 18, 2009, at 09:32 AM EST
by - dates
Changed lines 4-5 from:
(:cell valign=middle align=left colspan=4 :) to:
(:cell valign=middle align=left colspan=4 :) December 09, 2008, at 12:45 PM EST
by - consumberBgone
Added lines 6-10:
(:cellnr valign=middle align=center :) October 10, 2008, at 04:34 PM EST
by - remove OLD ML
Deleted lines 0-1:
Subscribe to the mailing list to know about XLRMX events & exhibitions (Lien pour la liste de diffusion en francais) October 10, 2008, at 04:31 PM EST
by - cos
Added lines 4-7:
(:cellnr valign=middle align=center :) November 23, 2007, at 11:58 AM EST
by - reword
Changed lines 20-21 from:
(:cell valign=middle align=left :)Absurdus equilibrium to:
(:cell valign=middle align=left :)Absurdus equilibrium Changed lines 24-25 from:
(:cell valign=middle align=left :)Harnessing the means of revolution to:
(:cell valign=middle align=left :)Harnessing the means of revolution Changed lines 80-81 from:
(:cell valign=middle align=left :)Networked sensory immersion to:
(:cell valign=middle align=left :)Networked sensory immersion October 16, 2007, at 08:59 AM EST
by -
Changed line 4 from:
(:cellnr valign=middle align=center :) to:
(:cellnr valign=middle align=center :) October 16, 2007, at 08:54 AM EST
by - dates
Changed lines 6-7 from:
(:cell valign=middle align=left colspan=4 :) to:
(:cell valign=middle align=left colspan=4 :) October 16, 2007, at 08:54 AM EST
by -
Changed lines 6-7 from:
(:cell valign=middle align=left colspan=4 :)Security and Pornography. Soft violence and society. Non lethal weapon and non-pleasure sex. to:
(:cell valign=middle align=left colspan=4 :) October 16, 2007, at 08:53 AM EST
by -
Changed lines 6-7 from:
(:cell valign=middle align=left colspan=4 :)Security and Pornography. Soft violence and society. Non lethal weapon and non-pleasure sex. to:
(:cell valign=middle align=left colspan=4 :)Security and Pornography. Soft violence and society. Non lethal weapon and non-pleasure sex. October 16, 2007, at 08:52 AM EST
by - colspan=4
Changed lines 6-7 from:
(:cell valign=middle align=left colspan=2 :)Security and Pornography. Soft violence and society. Non lethal weapon and non-pleasure sex. to:
(:cell valign=middle align=left colspan=4 :)Security and Pornography. Soft violence and society. Non lethal weapon and non-pleasure sex. October 16, 2007, at 08:52 AM EST
by - colspan
Changed lines 6-7 from:
(:cell valign=middle align=left :)Security and Pornography. Soft violence and society. Non lethal weapon and non-pleasure sex. to:
(:cell valign=middle align=left colspan=2 :)Security and Pornography. Soft violence and society. Non lethal weapon and non-pleasure sex. October 16, 2007, at 08:47 AM EST
by - ChooseYourWeapon
Added lines 4-7:
(:cellnr valign=middle align=center :) September 17, 2007, at 12:51 AM EST
by - rem barthes
Deleted lines 98-101:
"Être moderne, c'est savoir ce qui n'est plus possible."
Roland Barthes, Requichot et son corps (1973) , in l'Obvie et l'Obtus, Seuil ed, p 211, 1982 September 17, 2007, at 12:34 AM EST
by - 2emeEssai
Changed line 14 from:
(:cellnr valign=middle align=center :) to:
(:cellnr valign=middle align=center :) September 17, 2007, at 12:24 AM EST
by - 2emeEssai
Changed lines 14-18 from:
(:cellnr valign=middle align=center :) to:
(:cellnr valign=middle align=center :) (:cell valign=middle align=center :) Changed lines 20-25 from:
(:cell valign=middle align=left :)Harnessing the means of revolution (:cell valign=middle align=center :) to:
(:cell valign=middle align=left :)Harnessing the means of revolution Changed lines 26-27 from:
(:cell valign=middle align=left :)Machine is Music : Man in the Middle to:
(:cell valign=middle align=left :)Machine is Music : Man in the Middle September 17, 2007, at 12:20 AM EST
by - nl
Added lines 52-53:
(:cellnr valign=middle align=center :) Added lines 62-63:
(:cellnr valign=middle align=center :) Added lines 72-73:
(:cellnr valign=middle align=center :) Added lines 82-83:
(:cellnr valign=middle align=center :) Added lines 93-94:
(:cellnr valign=middle align=center :) September 17, 2007, at 12:19 AM EST
by - nl
Added line 13:
Added line 23:
Added line 33:
Added line 43:
September 17, 2007, at 12:19 AM EST
by - nl
Added line 12:
(:cellnr valign=middle align=center :) Added line 21:
(:cellnr valign=middle align=center :) Added line 30:
(:cellnr valign=middle align=center :) Added line 39:
(:cellnr valign=middle align=center :) September 17, 2007, at 12:15 AM EST
by - Freedom Fried
Changed line 8 from:
(:cell valign=middle align=center :) to:
(:cell valign=middle align=center :) September 17, 2007, at 12:13 AM EST
by - Freedom Fried
Changed lines 10-11 from:
(:cell valign=middle align=left :)PhilippeLanglois/FreedomFried to:
(:cell valign=middle align=left :)Freedom Fried September 17, 2007, at 12:13 AM EST
by - Freedom Fried
Changed lines 8-12 from:
(:cell valign=middle align=center :) to:
(:cell valign=middle align=center :) (:cellnr valign=middle align=center :) Added lines 16-19:
(:cell valign=middle align=center :) September 16, 2007, at 11:50 PM EST
by - interstice
Changed line 9 from:
(:cell valign=middle align=center :)Disintermediation / Interstice to:
(:cell valign=middle align=center :)Interstice September 16, 2007, at 01:30 PM EST
by - uppercase
Changed lines 6-7 from:
(:cell valign=middle align=left :)Remains of the past to:
(:cell valign=middle align=left :)Remains of the past Changed lines 14-15 from:
(:cell valign=middle align=left :)Machine is Music : Man in the Middle to:
(:cell valign=middle align=left :)Machine is Music : Man in the Middle Changed lines 22-23 from:
(:cell valign=middle align=left :)Nuclear Zen Garden to:
(:cell valign=middle align=left :)Nuclear Zen Garden Changed lines 26-27 from:
(:cell valign=middle align=left :)Urban installation on CCTV to:
(:cell valign=middle align=left :)Urban installation on CCTV Changed lines 30-31 from:
(:cell valign=middle align=left :)Trails of surveillance to:
(:cell valign=middle align=left :)Trails of surveillance Changed lines 34-35 from:
(:cell valign=middle align=left :)Interactive sculpture hacks your mobile phone to:
(:cell valign=middle align=left :)Interactive sculpture hacks your mobile phone September 16, 2007, at 01:28 PM EST
by - reword
Changed lines 6-7 from:
(:cell valign=middle align=left :)Remains of the past to:
(:cell valign=middle align=left :)Remains of the past Changed lines 10-11 from:
(:cell valign=middle align=left :)Harnessing the means of revolution to:
(:cell valign=middle align=left :)Harnessing the means of revolution Changed lines 14-15 from:
(:cell valign=middle align=left :)Machine is Music : Man in the Middle to:
(:cell valign=middle align=left :)Machine is Music : Man in the Middle Changed lines 22-23 from:
(:cell valign=middle align=left :)Nuclear Zen Garden to:
(:cell valign=middle align=left :)Nuclear Zen Garden Changed lines 26-27 from:
(:cell valign=middle align=left :)Urban installation on CCTV to:
(:cell valign=middle align=left :)Urban installation on CCTV Changed lines 30-31 from:
(:cell valign=middle align=left :)Trails of surveillance to:
(:cell valign=middle align=left :)Trails of surveillance Changed lines 34-35 from:
(:cell valign=middle align=left :)Interactive Sculpture which hacks your mobile phone to:
(:cell valign=middle align=left :)Interactive sculpture hacks your mobile phone Changed lines 38-39 from:
(:cell valign=middle align=left :)Onirii Video Serie to:
(:cell valign=middle align=left :)Onirii Video Serie Changed lines 42-43 from:
(:cell valign=middle align=left :)Culture clash to:
(:cell valign=middle align=left :)Culture clash Changed lines 46-47 from:
(:cell valign=middle align=left :)Light Sculptures to:
(:cell valign=middle align=left :)Light Sculptures Changed lines 50-51 from:
(:cell valign=middle align=left :)Codes through urban signs to:
(:cell valign=middle align=left :)Codes through urban signs Changed lines 54-55 from:
(:cell valign=middle align=left :)Networked sensory immersion to:
(:cell valign=middle align=left :)Networked sensory immersion Changed lines 58-59 from:
(:cell valign=middle align=left :)Olympics Guerilla to:
(:cell valign=middle align=left :)Olympics Guerilla Changed lines 62-63 from:
(:cell valign=middle align=left :)Codes and their aesthetics to:
(:cell valign=middle align=left :)Codes and their aesthetics September 16, 2007, at 01:14 PM EST
by -
Changed lines 16-18 from:
(:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) to:
(:cell valign=middle align=center :) Changed line 20 from:
(:cell valign=middle align=center :) to:
(:cellnr valign=middle align=center :) Changed lines 24-26 from:
(:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) to:
(:cell valign=middle align=center :) Changed line 28 from:
(:cell valign=middle align=center :) to:
(:cellnr valign=middle align=center :) Changed lines 32-35 from:
(:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) to:
(:cell valign=middle align=center :) Changed line 36 from:
(:cell valign=middle align=center :) to:
(:cellnr valign=middle align=center :) Changed lines 40-42 from:
(:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) to:
(:cell valign=middle align=center :) Changed line 44 from:
(:cell valign=middle align=center :) to:
(:cellnr valign=middle align=center :) Changed lines 48-51 from:
(:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) to:
(:cell valign=middle align=center :) Changed line 52 from:
(:cell valign=middle align=center :) to:
(:cellnr valign=middle align=center :) Changed lines 56-59 from:
(:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) to:
(:cell valign=middle align=center :) Changed line 60 from:
(:cell valign=middle align=center :) to:
(:cellnr valign=middle align=center :) Deleted lines 63-66:
(:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) Added line 65:
(:cell valign=middle align=center :) Added line 68:
(:cellnr valign=middle align=center :) Deleted line 69:
(:cell valign=middle align=center :) September 16, 2007, at 01:11 PM EST
by -
Deleted lines 7-8:
(:cellnr valign=middle align=center :) Changed line 12 from:
(:cell valign=middle align=center :) to:
(:cellnr valign=middle align=center :) September 16, 2007, at 01:11 PM EST
by - reordered
Changed line 10 from:
(:cellnr valign=middle align=center :) to:
(:cell valign=middle align=center :) September 16, 2007, at 01:09 PM EST
by -
Added lines 4-9:
(:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) September 16, 2007, at 01:08 PM EST
by -
Changed lines 4-8 from:
(:cellnr valign=middle align=center :) (:cell valign=middle align=center :) to:
(:cellnr valign=middle align=center :) Deleted lines 7-8:
(:cellnr valign=middle align=center :) Added lines 12-13:
(:cellnr valign=middle align=center :) Deleted lines 17-18:
(:cellnr valign=middle align=center :) Added lines 22-23:
(:cellnr valign=middle align=center :) Deleted lines 27-28:
(:cellnr valign=middle align=center :) Added lines 32-34:
(:cellnr valign=middle align=center :) Deleted lines 38-39:
(:cellnr valign=middle align=center :) Added lines 43-44:
(:cellnr valign=middle align=center :) Deleted lines 48-49:
(:cellnr valign=middle align=center :) Added lines 53-55:
(:cellnr valign=middle align=center :) Deleted lines 59-60:
(:cellnr valign=middle align=center :) Added lines 64-66:
(:cellnr valign=middle align=center :) Deleted lines 70-71:
(:cellnr valign=middle align=center :) Added line 75:
Added lines 77-78:
(:cellnr valign=middle align=center :) September 16, 2007, at 01:07 PM EST
by - reordered
Changed line 8 from:
(:cellnr valign=middle align=center :) to:
(:cell valign=middle align=center :) September 16, 2007, at 01:06 PM EST
by - reordered
Deleted lines 7-8:
(:cellnr valign=middle align=center :) Added lines 12-13:
(:cellnr valign=middle align=center :) Deleted lines 17-18:
(:cellnr valign=middle align=center :) Added lines 22-23:
(:cellnr valign=middle align=center :) Deleted lines 27-28:
(:cellnr valign=middle align=center :) Added lines 32-33:
(:cellnr valign=middle align=center :) Deleted lines 37-39:
(:cellnr valign=middle align=center :) Added lines 42-43:
(:cellnr valign=middle align=center :) Deleted lines 47-48:
(:cellnr valign=middle align=center :) Added lines 52-53:
(:cellnr valign=middle align=center :) Deleted lines 57-59:
(:cellnr valign=middle align=center :) Added lines 62-63:
(:cellnr valign=middle align=center :) Deleted lines 67-69:
(:cellnr valign=middle align=center :) Added lines 72-73:
(:cellnr valign=middle align=center :) Deleted line 77:
Deleted lines 78-79:
(:cellnr valign=middle align=center :) September 16, 2007, at 01:02 PM EST
by - ZermattZombies
Added lines 4-9:
(:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) September 16, 2007, at 08:26 AM EST
by -
Deleted lines 2-3:
XLRMX.org was unreachable for some time, it's now back up and stable. September 16, 2007, at 06:29 AM EST
by - comment
Added lines 3-4:
XLRMX.org was unreachable for some time, it's now back up and stable. June 03, 2007, at 01:54 AM EST
by - Big change to new table style
Changed lines 3-18 from:
to:
(:table border=0 width=100% align=left cellspacing=1 cellpadding=1 :)
(:cellnr valign=middle align=center :) (:cell valign=middle align=center :) (:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) (:cell valign=middle align=center :) (:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) (:cell valign=middle align=center :) (:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) (:cell valign=middle align=center :) (:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) (:cell valign=middle align=center :) (:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) (:cell valign=middle align=center :) (:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) (:cell valign=middle align=center :) (:cellnr valign=middle align=center :) (:cellnr valign=middle align=center :) (:cell valign=middle align=center :) (:cell valign=middle align=left :) (:cell valign=middle align=center :) (:cell valign=middle align=center :) (:cell valign=middle align=left :) (:tableend:) Changed line 90 from:
Être post-moderne, est-ce savoir que tout est possible? to:
Être post-moderne, est-ce savoir que tout est possible? March 27, 2007, at 04:38 AM EST
by -
Changed line 4 from:
to:
March 23, 2007, at 05:59 AM EST
by -
Changed line 4 from:
to:
March 23, 2007, at 05:58 AM EST
by -
Changed line 4 from:
to:
March 23, 2007, at 05:57 AM EST
by -
Changed line 4 from:
to:
March 23, 2007, at 05:56 AM EST
by -
Changed line 4 from:
to:
March 23, 2007, at 05:55 AM EST
by -
Added lines 4-5:
March 05, 2007, at 07:11 AM EST
by - remove blog
Changed lines 19-23 from:
Être post-moderne, est-ce savoir que tout est possible? (:RSS http://philippelanglois.free.fr/dotclear/rss.php short 10:) to:
Être post-moderne, est-ce savoir que tout est possible? February 24, 2007, at 05:52 AM EST
by -
Changed line 23 from:
(:RSS http://philippelanglois.free.fr/dotclear/rss.php long 10:) to:
(:RSS http://philippelanglois.free.fr/dotclear/rss.php short 10:) February 24, 2007, at 05:50 AM EST
by -
Changed line 23 from:
(:RSS http://philippelanglois.free.fr/dotclear/rss.php long 5:) to:
(:RSS http://philippelanglois.free.fr/dotclear/rss.php long 10:) February 24, 2007, at 05:39 AM EST
by - rss attempt
Added lines 20-23:
(:RSS http://philippelanglois.free.fr/dotclear/rss.php long 5:) December 15, 2006, at 09:15 AM EST
by - mod packet fountain
Changed line 10 from:
to:
December 07, 2006, at 11:18 AM EST
by - fr
Changed lines 1-2 from:
Subscribe to the mailing list to know about XLRMX events & exhibitions (en francais) to:
Subscribe to the mailing list to know about XLRMX events & exhibitions (Lien pour la liste de diffusion en francais) December 07, 2006, at 11:17 AM EST
by - layout
Changed lines 18-19 from:
Roland Barthes, Requichot et son corps (1973) , in l'Obvie et l'Obtus, Seuil ed, p 211, 1982 to:
Roland Barthes, Requichot et son corps (1973) , in l'Obvie et l'Obtus, Seuil ed, p 211, 1982\\ November 30, 2006, at 03:27 AM EST
by - moderne postmoderne
Added lines 16-20:
"Être moderne, c'est savoir ce qui n'est plus possible." Roland Barthes, Requichot et son corps (1973) , in l'Obvie et l'Obtus, Seuil ed, p 211, 1982 Être post-moderne, est-ce savoir que tout est possible? November 22, 2006, at 04:27 PM EST
by - wording
Changed line 14 from:
to:
November 22, 2006, at 04:26 PM EST
by - simplification
Changed line 12 from:
to:
November 22, 2006, at 04:05 PM EST
by - mailing list
Changed lines 1-2 from:
Subscribe to the mailing list to know about XLRMX events & exhibitions to:
Subscribe to the mailing list to know about XLRMX events & exhibitions (en francais) Added line 4:
Deleted lines 5-6:
November 22, 2006, at 04:01 PM EST
by - simplification
Deleted line 3:
November 22, 2006, at 10:49 AM EST
by - passe
Changed line 4 from:
to:
November 04, 2006, at 10:48 AM EST
by - add comm presse biennale
Changed line 4 from:
to:
October 31, 2006, at 03:00 AM EST
by - img
Changed line 4 from:
to:
October 31, 2006, at 02:56 AM EST
by - orth
Changed line 4 from:
to:
October 30, 2006, at 05:05 PM EST
by - add biennale.
Added lines 4-5:
October 30, 2006, at 04:56 PM EST
by - rem sign sur bruit
Deleted lines 3-4:
October 13, 2006, at 11:34 AM EST
by - nl
Changed line 4 from:
to:
October 13, 2006, at 11:34 AM EST
by - rephrase
Changed line 4 from:
to:
October 12, 2006, at 10:00 AM EST
by - heure
Changed line 4 from:
to:
October 12, 2006, at 09:20 AM EST
by - add name
Changed line 4 from:
to:
October 12, 2006, at 08:53 AM EST
by - Abug title change
Changed line 10 from:
to:
October 12, 2006, at 08:52 AM EST
by - placard date
Changed line 6 from:
to:
October 12, 2006, at 08:38 AM EST
by - nocenter
Changed line 4 from:
to:
October 12, 2006, at 08:38 AM EST
by - tabs
Changed line 4 from:
to:
October 12, 2006, at 08:37 AM EST
by - tabs
Changed line 4 from:
to:
October 12, 2006, at 08:37 AM EST
by - signal/bruit
Added lines 4-5:
October 12, 2006, at 04:07 AM EST
by - trails refs
Changed line 6 from:
to:
October 07, 2006, at 07:07 AM EST
by - update time
Changed line 4 from:
to:
September 25, 2006, at 10:29 AM EST
by - upcoming
Changed line 4 from:
to:
September 25, 2006, at 06:02 AM EST
by - rem supp info
Changed line 6 from:
to:
September 25, 2006, at 06:00 AM EST
by - clean
Deleted lines 2-4:
PhilippeLanglois/NuclearZenGarden http://www.xlrmx.org/wiki/index.php/Placard/2006 September 25, 2006, at 05:48 AM EST
by - new line
Added lines 3-5:
PhilippeLanglois/NuclearZenGarden http://www.xlrmx.org/wiki/index.php/Placard/2006 Added lines 7-8:
July 04, 2006, at 11:05 AM EST
by - change email one -> burn
Changed line 8 from:
to:
July 04, 2006, at 04:47 AM EST
by - our -> xlrmx
Changed lines 1-2 from:
Subscribe to the mailing list to know about our events & exhibitions to:
Subscribe to the mailing list to know about XLRMX events & exhibitions June 12, 2006, at 03:33 PM EST
by -
Changed line 4 from:
to:
June 12, 2006, at 03:32 PM EST
by - SelfWorld
Changed line 10 from:
to:
June 12, 2006, at 03:32 PM EST
by -
Changed lines 1-2 from:
Subscribe to the mailing list to come to our event & exhibitions to:
Subscribe to the mailing list to know about our events & exhibitions June 12, 2006, at 03:31 PM EST
by -
Changed lines 1-2 from:
http://www.xlrmx.org/mailing-list.php? to come to our event & exhibitions to:
Subscribe to the mailing list to come to our event & exhibitions June 12, 2006, at 03:30 PM EST
by - ML
Added lines 1-2:
http://www.xlrmx.org/mailing-list.php? to come to our event & exhibitions June 12, 2006, at 03:29 PM EST
by - PacketFountain mod
Changed line 6 from:
to:
June 12, 2006, at 03:28 PM EST
by - codebeauty
Changed line 10 from:
to:
June 12, 2006, at 03:28 PM EST
by - Perdu2012
Changed line 10 from:
to:
June 12, 2006, at 03:27 PM EST
by - Chaoscam & CCTV
Changed line 2 from:
to:
June 12, 2006, at 03:26 PM EST
by - ID mod
Changed line 8 from:
to:
June 12, 2006, at 03:26 PM EST
by - ID
Changed line 8 from:
to:
April 20, 2006, at 04:12 AM EST
by -
Changed line 2 from:
to:
April 20, 2006, at 04:08 AM EST
by -
Changed line 2 from:
to:
April 20, 2006, at 03:58 AM EST
by -
Changed line 2 from:
to:
March 28, 2006, at 10:03 AM EST
by -
Changed line 10 from:
to:
March 28, 2006, at 09:42 AM EST
by -
Changed line 2 from:
to:
March 28, 2006, at 09:41 AM EST
by -
Changed line 2 from:
to:
March 28, 2006, at 09:41 AM EST
by -
Changed line 2 from:
to:
March 28, 2006, at 09:20 AM EST
by -
Changed line 2 from:
to:
March 28, 2006, at 09:19 AM EST
by -
Changed line 2 from:
to:
March 28, 2006, at 09:19 AM EST
by -
Changed line 2 from:
to:
March 28, 2006, at 09:19 AM EST
by -
Changed line 2 from:
to:
March 28, 2006, at 09:16 AM EST
by -
Changed lines 2-3 from:
to:
March 28, 2006, at 09:15 AM EST
by -
Changed line 2 from:
to:
March 28, 2006, at 08:49 AM EST
by -
Changed line 8 from:
to:
March 28, 2006, at 08:32 AM EST
by -
Changed line 8 from:
to:
March 28, 2006, at 08:32 AM EST
by -
Changed line 8 from:
to:
March 22, 2006, at 07:38 PM EST
by -
Changed line 4 from:
to:
Changed line 6 from:
to:
Deleted lines 7-12:
March 22, 2006, at 07:37 PM EST
by -
Changed line 2 from:
to:
Changed line 4 from:
to:
March 03, 2006, at 09:25 AM EST
by -
Changed line 2 from:
to:
February 21, 2006, at 07:32 AM EST
by -
Changed line 2 from:
to:
February 18, 2006, at 05:09 PM EST
by -
Deleted line 0:
February 18, 2006, at 05:06 PM EST
by -
Changed lines 1-2 from:
XLRMX experiments with various forms of societies, layers of culture and sub-culture, communication, links and chains forming spaces and creating buffer zones. to:
February 18, 2006, at 05:05 PM EST
by -
Changed line 4 from:
to:
Changed line 6 from:
to:
Changed line 8 from:
to:
Changed line 10 from:
to:
Changed line 12 from:
to:
Changed line 14 from:
to:
February 18, 2006, at 05:03 PM EST
by -
Changed line 4 from:
to:
Changed line 6 from:
to:
Changed line 8 from:
to:
Changed line 10 from:
to:
Changed line 12 from:
to:
Changed line 14 from:
to:
February 18, 2006, at 07:36 AM EST
by -
Changed line 6 from:
to:
Changed line 8 from:
to:
Changed line 10 from:
to:
Changed line 12 from:
to:
Changed line 14 from:
to:
February 18, 2006, at 07:35 AM EST
by -
Changed line 4 from:
to:
February 18, 2006, at 07:35 AM EST
by -
Changed line 4 from:
to:
Changed line 6 from:
to:
Changed line 8 from:
to:
Changed line 10 from:
to:
Changed line 12 from:
to:
Changed line 14 from:
to:
February 18, 2006, at 07:33 AM EST
by -
Added lines 4-5:
February 10, 2006, at 02:28 PM EST
by -
Changed line 4 from:
to:
February 10, 2006, at 02:19 PM EST
by -
Changed line 4 from:
to:
February 10, 2006, at 02:18 PM EST
by -
Added lines 4-5:
January 18, 2006, at 08:18 AM EST
by -
Added lines 4-5:
Deleted lines 11-12:
January 18, 2006, at 08:00 AM EST
by -
Changed line 10 from:
to:
October 16, 2005, at 10:48 AM EST
by -
Added lines 4-5:
Deleted lines 9-10:
October 16, 2005, at 09:24 AM EST
by -
Changed line 4 from:
to:
Changed line 6 from:
to:
Changed line 8 from:
to:
October 16, 2005, at 09:23 AM EST
by -
Changed line 3 from:
to:
October 16, 2005, at 09:22 AM EST
by -
Changed line 3 from:
to:
October 16, 2005, at 09:20 AM EST
by -
Changed line 4 from:
to:
October 16, 2005, at 09:05 AM EST
by -
Changed line 4 from:
to:
October 16, 2005, at 07:59 AM EST
by -
Deleted lines 2-6:
October 16, 2005, at 07:59 AM EST
by -
Changed line 9 from:
to:
Changed line 11 from:
to:
Changed line 13 from:
to:
Deleted lines 14-15:
October 16, 2005, at 07:43 AM EST
by -
Changed line 11 from:
to:
October 16, 2005, at 07:41 AM EST
by -
Changed line 11 from:
to:
October 16, 2005, at 07:41 AM EST
by -
Changed line 11 from:
to:
October 16, 2005, at 07:41 AM EST
by -
Changed line 11 from:
to:
October 16, 2005, at 07:36 AM EST
by -
Changed line 11 from:
to:
Changed line 13 from:
to:
Changed line 16 from:
to:
October 16, 2005, at 07:35 AM EST
by -
Changed line 9 from:
to:
Changed line 11 from:
to:
Changed line 13 from:
to:
October 16, 2005, at 07:35 AM EST
by -
Changed line 9 from:
to:
October 16, 2005, at 07:34 AM EST
by -
Changed line 9 from:
to:
October 15, 2005, at 12:30 PM EST
by -
Changed line 9 from:
to:
Added lines 15-16:
October 15, 2005, at 12:29 PM EST
by -
Changed line 9 from:
to:
Added lines 11-12:
Deleted lines 14-15:
October 15, 2005, at 12:27 PM EST
by -
Changed line 9 from:
to:
October 15, 2005, at 12:26 PM EST
by -
Changed lines 3-6 from:
to:
October 15, 2005, at 12:02 PM EST
by -
Changed lines 1-2 from:
XLRMX experiments with various forms of societies, layering of culture and sub-culture, communication, links and chains forming spaces and creating buffer zones. to:
XLRMX experiments with various forms of societies, layers of culture and sub-culture, communication, links and chains forming spaces and creating buffer zones. October 15, 2005, at 12:02 PM EST
by -
Changed lines 1-2 from:
XLRMX deals with all form of modern societies, layering of culture and sub-culture, links and chains forming spaces and creating buffer zones for contemporary expression. to:
XLRMX experiments with various forms of societies, layering of culture and sub-culture, communication, links and chains forming spaces and creating buffer zones. October 15, 2005, at 10:06 AM EST
by -
Changed lines 5-6 from:
to:
October 06, 2005, at 09:58 PM EST
by -
Changed line 3 from:
to:
October 06, 2005, at 09:57 PM EST
by -
Changed lines 3-6 from:
ID! Manifesto - Street intervention. SelfWorld - Sensory immersion in a networked experience to:
October 06, 2005, at 09:56 PM EST
by -
Changed lines 3-6 from:
ID! Manifesto -- Street intervention. SelfWorld -- Sensory immersion in a networked experience to:
ID! Manifesto - Street intervention. SelfWorld - Sensory immersion in a networked experience October 06, 2005, at 09:56 PM EST
by -
Added line 4:
October 06, 2005, at 09:56 PM EST
by -
Deleted line 3:
October 06, 2005, at 09:56 PM EST
by -
Changed lines 3-5 from:
Street intervention: ID! Manifesto. Sensory immersion in the network: SelfWorld to:
ID! Manifesto -- Street intervention. SelfWorld -- Sensory immersion in a networked experience October 06, 2005, at 09:55 PM EST
by -
Deleted lines 0-1:
Art with networks without computer networks October 06, 2005, at 09:48 PM EST
by -
Changed line 7 from:
Networked sensory ecosystem immersion: SelfWorld to:
Sensory immersion in the network: SelfWorld October 06, 2005, at 09:47 PM EST
by -
Changed line 7 from:
Networked sensory ecosystem immersion: SelfWorld.SelfWorld to:
Networked sensory ecosystem immersion: SelfWorld October 06, 2005, at 09:46 PM EST
by -
Changed lines 5-6 from:
to:
Street intervention: ID! Manifesto. Networked sensory ecosystem immersion: SelfWorld.SelfWorld October 06, 2005, at 09:45 PM EST
by -
Changed lines 5-6 from:
[Id.Manifesto|ID! Manifesto] to:
October 06, 2005, at 09:45 PM EST
by -
Changed lines 1-13 from:
Id! Id! is an experiment in progress, based on the generalization of codes and their social significance. Codes are everywhere as languages, signs, speech habits, dialect, clothing style. We naturally express codes and perceive them to create sense from our perception. In fact, Codes and Culture define our capacity to understand. These are our maps to the territory. Id! tries through multiple interventions in different social spaces to highlight such codes by raising questions about codes, their clarity or their opacity, their reach, the form - space - or even group they define by showing boundaries of several natures. The project which is shown here uses a coding technique which is very popular in Japan but totally unknown in Europe and the US. Urban intervention is in progress in several cities to indicate discreet information through these cryptic-looking codes. There's a double impact of these urban codes. Random people remark this and wonder what it is there for, noticing the graphical aspect of these codes. On the other hand, a few people - mostly Japanese - will get the message by taking picture with their phone which translates the code into human-readable form., providing information about the urban and social space or questioning sentences. The codes also provide unique links (URLs) to some websites unreachable by any other mean than these links. This remote island is also defining the "filigrane" aspect of networks which expands the world and the reach of some humans far beyond the physical limits. The presence of these codes and the form defined by the ones who get it and the ones who don't question the notion of elite-ness, the capability of some people as code breakers, defining some new survival capability information society. It also raises the question of all the codes that you can't see, such as RFIDs, your cell phone positioning etc. The reaction of the public is documented through pictures, video and interviews. These new materials become also a form of code which is used as a new basis for work. This points to the tree-like structure of culture which was the base for earlier work of the artist (Arbostructure, 2002). The social network is also documented in the virtual world by tracking the connections on the unique URLs. Each of these links can be reached right on the spot from a cell phone browser or later on from an internet connection. This textual and pictorial information is compiled into "Id! Praxis" book (to be published). A video documents the direct social perception of the codes and reactions (eventually). Original signed prints of each code are also part of the work to be displayed. to:
Art with networks without computer networks XLRMX deals with all form of modern societies, layering of culture and sub-culture, links and chains forming spaces and creating buffer zones for contemporary expression. [Id.Manifesto|ID! Manifesto] June 21, 2005, at 09:22 AM EST
by -
Changed lines 3-22 from:
Id! is an experiment in progress, based on the generalization of codes and their social signification. Codes are everywhere as languages, signs, speech habits, dialect, clothing style. We naturally express codes and perceive them to create sense from our perception. In fact, Codes and Culture define our capacity to understand. These are our maps to the territory. Id! tries through multiple interventions in different social spaces to highlight such codes by raising questions about codes, their clarity or their opacity, their reach, the form - space - or even group they define by showing boundaries of several natures. The project which is shown here uses a coding technique which is very popular in Japan but totally unknown in Europe and the US. Urban intervention is in progress in several cities to indicate discreet information through these cryptic-looking codes. There's a double impact of these urban codes. Random people remark this and wonder what it is there for, noticing the graphical aspect of these codes. On the other hand, a few people - mostly Japanese - will get the message by taking picture with their phone which decodes these codes, providing information about the urban and social space or questioning sentences. The codes also provide unique links (URLs) to some websites unreachable by any other mean than these links. This remote island is also defining the "filigranne" aspect of networks which expand the world and the reach of some humans far beyond the physical limits. The presence of these codes and the form defined by the ones who get it and the ones who don't question the notion of elite-ness, the capability of some people as code breakers, defining some new capability with a Darwinian aspect in our information society. It also raises the question of all the codes that you can't see, such as RFIDs, your cell phone positioning etc. The reaction of the public is documented through pictures, video and interviews. These new materials become also a form of code which is used as a new basis for work. This points to the tree-like structure of culture which was the base for earlier work of the artist (Arbostructure, 2002). The social network is also documented in the virtual world by tracking the connections on the unique URLs. Each of these links can be reached right on the spot from a cell phone browser or later on from an internet connection. All this textual and pictorial information is compiled into "Id! Praxis" book (to be published). A video documents the direct social perception of the codes and reactions (eventually). Original signed prints of each code are also part of the work to be displayed. We'll update here the main projects as they come along. This is a designated Work In Progress zone. Projects
to:
Id! is an experiment in progress, based on the generalization of codes and their social significance. Codes are everywhere as languages, signs, speech habits, dialect, clothing style. We naturally express codes and perceive them to create sense from our perception. In fact, Codes and Culture define our capacity to understand. These are our maps to the territory. Id! tries through multiple interventions in different social spaces to highlight such codes by raising questions about codes, their clarity or their opacity, their reach, the form - space - or even group they define by showing boundaries of several natures. The project which is shown here uses a coding technique which is very popular in Japan but totally unknown in Europe and the US. Urban intervention is in progress in several cities to indicate discreet information through these cryptic-looking codes. There's a double impact of these urban codes. Random people remark this and wonder what it is there for, noticing the graphical aspect of these codes. On the other hand, a few people - mostly Japanese - will get the message by taking picture with their phone which translates the code into human-readable form., providing information about the urban and social space or questioning sentences. The codes also provide unique links (URLs) to some websites unreachable by any other mean than these links. This remote island is also defining the "filigrane" aspect of networks which expands the world and the reach of some humans far beyond the physical limits. The presence of these codes and the form defined by the ones who get it and the ones who don't question the notion of elite-ness, the capability of some people as code breakers, defining some new survival capability information society. It also raises the question of all the codes that you can't see, such as RFIDs, your cell phone positioning etc. The reaction of the public is documented through pictures, video and interviews. These new materials become also a form of code which is used as a new basis for work. This points to the tree-like structure of culture which was the base for earlier work of the artist (Arbostructure, 2002). The social network is also documented in the virtual world by tracking the connections on the unique URLs. Each of these links can be reached right on the spot from a cell phone browser or later on from an internet connection. This textual and pictorial information is compiled into "Id! Praxis" book (to be published). A video documents the direct social perception of the codes and reactions (eventually). Original signed prints of each code are also part of the work to be displayed. June 16, 2005, at 09:56 AM EST
by -
Changed lines 1-2 from:
Id! to:
Id! Changed lines 5-16 from:
Id! tries through multiple intervention in different social spaces to highlight such codes by raising questions about codes, their clarity or their opacity, their reach, the form - space - or even group they define by showing boundaries of several nature. The project which is shown here uses a coding technique which is very popular in Japan but totally unknown in Europe and the US. Urban intervention is in progress in several cities to indicate discreet information through these cryptic-looking codes. There's a double impact of these urban codes. Random people remark this and wonder what it is there for, noticing the graphical aspect of these codes. On the other hand, a few person - mostly japanese - will get the message by taking picture with their phone which decodes these codes, providing information about the urban and social space or questionning sentences. The codes also provide unique links (URLs) to some websites unreachable by any other mean than these links. This remote island is also defining the "filigranne" aspect of networks which expand the world and the reach of some humans far beyond the physical limits. The presence of these codes and the form defined by the ones who get it and the ones who don't question the notion of elite-ness, the capability of some people as codebreakers, defining some new capability with a darwinian aspect in our information society. It also raises the question of all the codes that you can't see, such as RFIDs, your cellphone positionning etc. The reaction of the public is documented through pictures, video and interviews. These new materials become also a form of code which is used as a new basis for work. This points to the tree-like structure of culture which was the base for earlier work of the artist (Arbostructure, 2002). The social network is also documented in the virtual world by tracking the connections on the unique URLs which can be reached right on the spot from a cell phone browser or later on from an internet connection. All this textual and pictural information is compiled into "Id! Praxis" book (to be published). A video documents the direct social perception of the codes and reactions (eventually). Original signed print of each code are also part of the work to be displayed. to:
Id! tries through multiple interventions in different social spaces to highlight such codes by raising questions about codes, their clarity or their opacity, their reach, the form - space - or even group they define by showing boundaries of several natures. The project which is shown here uses a coding technique which is very popular in Japan but totally unknown in Europe and the US. Urban intervention is in progress in several cities to indicate discreet information through these cryptic-looking codes. There's a double impact of these urban codes. Random people remark this and wonder what it is there for, noticing the graphical aspect of these codes. On the other hand, a few people - mostly Japanese - will get the message by taking picture with their phone which decodes these codes, providing information about the urban and social space or questioning sentences. The codes also provide unique links (URLs) to some websites unreachable by any other mean than these links. This remote island is also defining the "filigranne" aspect of networks which expand the world and the reach of some humans far beyond the physical limits. The presence of these codes and the form defined by the ones who get it and the ones who don't question the notion of elite-ness, the capability of some people as code breakers, defining some new capability with a Darwinian aspect in our information society. It also raises the question of all the codes that you can't see, such as RFIDs, your cell phone positioning etc. The reaction of the public is documented through pictures, video and interviews. These new materials become also a form of code which is used as a new basis for work. This points to the tree-like structure of culture which was the base for earlier work of the artist (Arbostructure, 2002). The social network is also documented in the virtual world by tracking the connections on the unique URLs. Each of these links can be reached right on the spot from a cell phone browser or later on from an internet connection. All this textual and pictorial information is compiled into "Id! Praxis" book (to be published). A video documents the direct social perception of the codes and reactions (eventually). Original signed prints of each code are also part of the work to be displayed. June 16, 2005, at 09:50 AM EST
by -
Changed lines 7-8 from:
The project which is shown here uses a coding technique which is very popular in Japan but totally unknown in Europe and the US. Urban intervention is in progress in several cities to indicate discreet information through these cryptic-looking codes. There's a double impact of these urban codes. Random people remark this and wonder what it is there for, noticing the graphical aspect of these codes. On the other hand, a few person - mostly japanese - will get the message by taking picture with their phone which decodes these codes, providing information about the urban and social space or questionning sentences. The codes also provide unique links to some websites unreachable by any other mean than these links. This remote island is also defining the "filigranne" aspect of networks which expand the world and the reach of some humans far beyond the physical limits. to:
The project which is shown here uses a coding technique which is very popular in Japan but totally unknown in Europe and the US. Urban intervention is in progress in several cities to indicate discreet information through these cryptic-looking codes. There's a double impact of these urban codes. Random people remark this and wonder what it is there for, noticing the graphical aspect of these codes. On the other hand, a few person - mostly japanese - will get the message by taking picture with their phone which decodes these codes, providing information about the urban and social space or questionning sentences. The codes also provide unique links (URLs) to some websites unreachable by any other mean than these links. This remote island is also defining the "filigranne" aspect of networks which expand the world and the reach of some humans far beyond the physical limits. Changed lines 11-16 from:
The reaction of the public is documented through pictures, video and interviews. These new materials become also a form of code which is used as a new basis for work. This points to the tree-like structure of culture which was the base for earlier work of the artist. The social network is also documented in the virtual world by tracking the connections on the unique URLs which can be reached right on the spot from a cell phone browser or later on from an internet connection. All this information is compiled into "Id! Praxis" book (to be published). Original signed print of each code are also part of the work. to:
The reaction of the public is documented through pictures, video and interviews. These new materials become also a form of code which is used as a new basis for work. This points to the tree-like structure of culture which was the base for earlier work of the artist (Arbostructure, 2002). The social network is also documented in the virtual world by tracking the connections on the unique URLs which can be reached right on the spot from a cell phone browser or later on from an internet connection. All this textual and pictural information is compiled into "Id! Praxis" book (to be published). A video documents the direct social perception of the codes and reactions (eventually). Original signed print of each code are also part of the work to be displayed. June 16, 2005, at 09:46 AM EST
by -
Changed lines 11-12 from:
to:
The reaction of the public is documented through pictures, video and interviews. These new materials become also a form of code which is used as a new basis for work. This points to the tree-like structure of culture which was the base for earlier work of the artist. The social network is also documented in the virtual world by tracking the connections on the unique URLs which can be reached right on the spot from a cell phone browser or later on from an internet connection. All this information is compiled into "Id! Praxis" book (to be published). Original signed print of each code are also part of the work. June 16, 2005, at 09:41 AM EST
by -
Changed lines 7-11 from:
The project which is shown here uses a coding technique which is very popular in Japan but totally unknown in Europe and the US. Urban intervention is in progress in several cities to indicate discreet information through these cryptic-looking codes. There's a double impact of these urban codes. Random people remark this and wonder what it is there for, noticing the graphical aspect of these codes. On the other hand, a few person - mostly japanese - will get the message by taking picture with their phone which decodes these codes, providing information about the urban and social space or questionning sentences. The presence of these codes and the form defined by the ones who get it and the ones who don't question the notion of elite-ness, the capability of some people as codebreakers, defining some new capability with a darwinian aspect in our information society. to:
The project which is shown here uses a coding technique which is very popular in Japan but totally unknown in Europe and the US. Urban intervention is in progress in several cities to indicate discreet information through these cryptic-looking codes. There's a double impact of these urban codes. Random people remark this and wonder what it is there for, noticing the graphical aspect of these codes. On the other hand, a few person - mostly japanese - will get the message by taking picture with their phone which decodes these codes, providing information about the urban and social space or questionning sentences. The codes also provide unique links to some websites unreachable by any other mean than these links. This remote island is also defining the "filigranne" aspect of networks which expand the world and the reach of some humans far beyond the physical limits. The presence of these codes and the form defined by the ones who get it and the ones who don't question the notion of elite-ness, the capability of some people as codebreakers, defining some new capability with a darwinian aspect in our information society. It also raises the question of all the codes that you can't see, such as RFIDs, your cellphone positionning etc. June 16, 2005, at 09:39 AM EST
by -
Changed lines 9-11 from:
to:
The presence of these codes and the form defined by the ones who get it and the ones who don't question the notion of elite-ness, the capability of some people as codebreakers, defining some new capability with a darwinian aspect in our information society. June 16, 2005, at 09:37 AM EST
by -
Changed lines 7-11 from:
to:
The project which is shown here uses a coding technique which is very popular in Japan but totally unknown in Europe and the US. Urban intervention is in progress in several cities to indicate discreet information through these cryptic-looking codes. There's a double impact of these urban codes. Random people remark this and wonder what it is there for, noticing the graphical aspect of these codes. On the other hand, a few person - mostly japanese - will get the message by taking picture with their phone which decodes these codes, providing information about the urban and social space or questionning sentences. June 16, 2005, at 09:31 AM EST
by -
Added lines 1-11:
Id! Id! is an experiment in progress, based on the generalization of codes and their social signification. Codes are everywhere as languages, signs, speech habits, dialect, clothing style. We naturally express codes and perceive them to create sense from our perception. In fact, Codes and Culture define our capacity to understand. These are our maps to the territory. Id! tries through multiple intervention in different social spaces to highlight such codes by raising questions about codes, their clarity or their opacity, their reach, the form - space - or even group they define by showing boundaries of several nature. June 15, 2005, at 07:04 AM EST
by -
Added lines 1-2:
We'll update here the main projects as they come along. This is a designated Work In Progress zone. Changed lines 4-5 from:
to:
June 15, 2005, at 07:00 AM EST
by -
Deleted lines 3-10:
Here are some useful default pages installed along with the PmWiki software :
More information about PmWiki can be found at http://www.pmwiki.org/. June 14, 2005, at 10:44 AM EST
by -
Changed line 9 from:
less testing to:
[Id] June 14, 2005, at 10:38 AM EST
by -
Changed line 9 from:
test to:
less testing |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
